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Re: Richard: A Dutch text face
Look at it another way: there is less difference between Sensato and Lexicon than between many different interpretations of the ultra-classics, Jenson, Garamond, Caslon and Bodoni. If you have troubl…2 -
Re: Richard: A Dutch text face
Where one draws the line between what is original and what is an altered copy is arbitrary. Where one draws either of the lines is a matter of taste Are you suggesting that taste is arbitrary? Or jus…1 -
Re: Richard: A Dutch text face
Right James, if you’re going to publish a generic sans in this day and age then the quality (whatever that means) of the design is not enough to stand out from the crowd—it needs to have:Big family o…1 -
Re: R.I.P.
Don’t write off the appendix just yet—there are several theories as to its usefulness, even if these are secondary to its original function. For a typographic analogy, consider the @ symbol and #. A …2 -
Re: R.I.P.
Greenlandic K. All the boxes and arrows in WGL4. *** The danger of omitting such unnecessary characters is that some bright spark writing a layout app (or font manager) might decides that fonts won’t…1
